god ashur造句

• All the other gods were seen as aspects of the chief god Ashur who was the totality of the gods.
• In Ashurism it was the god Ashur that was the ultimate worship, thus by nature, constituting the religion as Monolatrism.
• Here, an association could be drawn in conjunction with the winged disk symbol of the Assyrian national God Ashur holding a bow.
• Ashur-nadin-ahhe is an Assyrian personal name meaning  the god Ashur has given a brother in the Akkadian language.
• The general view is that the restoration of the temple of the gods Ashur and Hadad at Assyrian capital of Assur was one of his initiatives.
• However, the city of Ashur remained the religious center of the empire and continued to be revered as the holy crown of the empire, due to its temple of the national god Ashur.
• The Assyrian king Ushpia who reigned around the 21st century BC is credited with dedicating the first temple of the god Ashur in his home city, although this comes from a later inscription from Shalmaneser I in the 13th century.
• It would become a Roman province ( Assyria Provincia ) from 116 to 363 AD . Despite the influx of foreign elements, the presence of Assyrians is confirmed by the worship of the god Ashur, all proof of the continuity of the Assyrians.
• However, with the rise of Hammurabi, this honour was transferred to Babylon, and the south Mesopotamian god Marduk rose to supremacy in the pantheon of southern Mesopotamia ( with the god Ashur remaining the dominant deity in the northern Mesopotamian state of Assyria ).
• Temples were still being dedicated to the national god Ashur ( as well as other Mesopotamian gods ) in his home city, in Harran and elsewhere during the 4th and 5th centuries AD, indicating the ancient pre-Christian Assyrian identity was still extant to some degree.
• Assyrian culture peaked between the great moments of Egyptian and Greek civilizations : The works in the Met show date from the 9th to the 7th century B . C ., when Assyrian kings, who doubled as high priests of the God Ashur, commissioned extraordinary art in extraordinary amounts, all to the greater glory of themselves and their deities.
• Given that Christianity had begun to spread amongst the Assyrians throughout the Parthian era, the original Assyrian culture and religion persisted for some time alongside Assyrian Christianity, as proven by the inscriptions which included invocations to the gods Ashur, Nergal, Sin, Ishtar and Shamash, as well as the citizens mentioned in the inscriptions having compound names as was the tradition of the Mesopotamians.
• Assyrian tradition itself lists the first king of Assyria as the 25th century BC Tudiya, and an early urbanised Assyrian king named Ushpia ( c . 2050 BC ) as having dedicated the first temple to the god Ashur in the city in the mid-21st century BC . It is highly likely that the city was named in honour of its patron Assyrian god with the same name.
• On his collar the king wears as amulets ( 1 ) the fork, the symbol of the weather-god, Adad; ( 2 ) a segment of a circle, of uncertain meaning; ( 3 ) an eight-pointed star in a disk, here probably the symbol of Shamash, the sun-god; ( 4 ) a winged disk, again of the god Ashur.
• Assyrian tradition itself listed the first king of Assyria as Tudiya, and an early urbanized Assyrian king named Ushpia ( " fl . " " c . " 2050 BCE ) as having dedicated the first temple to the god Ashur in the city " c . " 2050 BCE . It is highly likely that the city was named in honor of its patron Assyrian god with the same name.
• Carved in curious archaic character mirror-writing in old Assyrian on an alabaster block found during the German excavations at Assur under Walter Andrae, this sole exemplar of his contemporary inscriptions records that the god Ashur  requested of him the construction of a temple and that he had  beer vats and storage area built in the  temple area .  He ruled during a period when nascent Assyrian merchant companies were branching out into Anatolia to trade textiles and tin from Assur for silver.
• The king, Shalmaneser III, stands before four divine emblems : ( 1 ) the winged disk, the symbol of the god Ashur, or, as some hold, of Shamash; ( 2 ) the six-pointed star of Ishtar, goddess of the morning and evening star; ( 3 ) the crown of the sky-god Anu, in this instance with three horns, in profile; ( 4 ) the disk and crescent of the god Sin as the new and the full moon.
• Assyrian culture survived; Assyrio-Babylonian gods were worshipped well into Christian times, as late as the 4th century AD, and temples were still being dedicated to the god Ashur in his home city in the late 3rd century AD . A number of kingdoms that were Neo-Assyrian, such as Assur, Hatra, Osroene and Adiabene, sprung up in Assyria between the 2nd century BC and 4th century AD . Christianity took hold between the 1st and 3rd centuries AD, and Parthian and Sassanid Assyria ( Asuristan ) became the center of the Assyrian Church of the East, Syriac Christianity and Syriac Literature ( the term " Syria " being an Indo-European ( Luwian ) corruption of " Assyria " adopted by the Greeks . ), where it still survives.